Watson stated at the very beginning of the film that he would not intervene in the lives of the people he was filming and would not stop them from drinking if they relapsed. But while Watson explains he also interacts with the subject instead of just observing. The problem suddenly doesnt become the alcohol, but their mental state, which is something I learnt from the film. Louis Theroux reveals his favourite documentaries, all available on BBC iPlayer. However, what I think strongly outweighs this are the positive effects of the film in terms of education. This stuck with me throughout Rain In My Heart, a film which I found pretty difficult to watch. To argue my point further, there is a particular example from Rain In My Heart that exemplifies this problem. Basically, I think Paul Watson is really successful in showing the facts and emotional stuff in this documentary. Numerous parts of the documentary further emphasise this intimacy as we the viewers are taken into the houses of these subjects, as if given permission to enter into anothers personal space which itself is also intimate in the context of the style of filmmaking here (observational). There are some moments that I will have questions against this films moral or ethical problems. There are certainly points in this film in which I believe that the subjects were exploited. When he asked Toni to call and talk to his family, for example. He puts himself in the film to explain how he felt at the time, allowing the audience to be involved in his own personal emotions whilst watching his film. This means as subjects they must think the documentary will help. But theres a film within and around the film, one that Steven Spielberg didnt make but that he or someone else should have made: Spielbergs List, the story of the casting call for the actresses who would be getting undressed and going into the gas chamber that turns out to be a shower. Although it could be argued that this footage is showing Vanda what she is like when she is drunk, I would say that her answers might have been different if she was sober when she was asked them. Yes it is a devastating subject matter and yes the emotions that should arise in audiences should be just as devastating. Sign-in or Try it free for 3 months. Watson even edits in clips of himself discussing how he felt when seeing his subjects cross back to alcohol, he states I lost that remoteness that I have as a filmmaker I get emotionally involved with people but I manage to stand back and observe and I get a lot of critism for that. He just tried to observe that and filmed everything as it is, while they I assume from the very beginning had agreed to be filmed in any state they are. I thought Rain In My Heart was a good example of a film that provokes thought about the ethical role of documentary makers. In addition, it appears that Watson is aware of the delicate nature of the documentary and embraces this by stating that all the filming was agreed by the sufferers, in order to shy away accusations that he is exploiting the individuals which he observes. No one feels comfortable at the hospital anyway without a camera crew to be there watching your pain and destruction (essentially). This shows how relationships are built up when filmmaking and how subjects and even the interviewer forms attachments. I realised after I posted this! Watson states from the very beginning of the film that he is working with the only four patients who have agreed my intrusions and me filming their hell. At the same time, I do think Paul Watson exploited his subjects. United Kingdom, 2006. One of the patients, a caption told us at the end, was now "in recovery". The fact he became emotionally involved with such a topic I believe would have helped; it was clear he so wanted them to stay off the alcohol and endure a full recovery. he felt that to put this material in the same documentary as his musings about the problems of getting the film made seemed glib and inappropriate. (http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument). If Watson couldnt do that, it wouldve been a pointless project. Kath now struggles on a severely limited income. But Ive never felt like Watson exploited his subjects. The intrusion before we learn of sexual abuse is fitting because it prepares us for the horrible, rather than let the scene with Vanda play out suddenly for shock value. Where the film-maker Watson talks about his film and the challenges that faced him when he was doing it and was it right what he was doing. Moreover, one can say that the subjects were exploited not only in the aforementioned scenes, but generally throughout the film. Watson edits and cross-cuts footage to emphasize reccuring themes across the alcoholics. Chapter 1. In one scene we hear Watson as whether or not the information he is receiving from one of the subjects would be appropriate to include in the finished product. Firstly, if you are an Alcoholic to the extent the four patients were, it is not possible to have a clear judgment or make a legitimate decision. But for the families and subjects is must be/ must have been a very awkward experience even if they had consented to the film. That he doesnt so anything to stop them drinking is a part of their own agency, and I believe shows more respect than if he had intervened. To clarify, I dont think hes exploiting anyone in this film. I definitely agree with Watson in this respect, in order to open up our eyes to this destructive disease we must see the worst of it. At this point, i would say, at least, it demonstrates the serious damage of alcoholism to many people like me, especially for teengers. My beautiful wife, Denise . This powerful documentary from fly-on-the-wall pioneer Paul Watson provides a raw account of four alcohol abusers from the impoverished Medway towns of north Kent. In my opinion, this exploited them as the repetition was giving them a personality that they do not possess and is therefore, a form of misrepresentation. Although, I did not enjoy the film from a personal perspective, from a documentary filmmaker point of view I have to give Paul Watson credit in his ability to talk to the subjects, gain their trust and allow him into their deepest thoughts and darkest moments. It was really uncomfortable scene to me, Paul trully showed the seriousness of alcohalism and it must influence to the audience. It quotes how Vanda told Paul Youre asking me while Im pickled in reference to his questions, as well as youre manipulating me. Maybe the subjects are letting Watson film them like this as a message to say this is a life you dont want to live and in saying that does Watsons exploiting of the subjects send a bigger message that in turn may help people going through the same things. The earliest version to survive in the Bible is Mark 's Gospel. Rain In My Heart raises many ethical issues as a documentary yet highlights many health and social issues current in our society. During the film one of the subjects Mark says If I am not a advert for not drinking then I dont know what is. Rain In My Heart by Edgar Lee Masters There is a quiet in my heart Like on who rests from days of pain. I mean most people wouldntHer reaction to his question is also an example as she seemed to be in pain by his disbelief and lack of trust.she even said why else would she be in the state she is in if not because of the trauma she had been through? I think that I am pretty satisfied with his attempts of dealing with the subject of alcoholism, he has shown a shocking but well-needed documentary to educate all kinds of audiences the effects of alcohol. Stream "I've Got Rain In My Heart" by The Fresh Experience on desktop and mobile. Synopsis. I do not think Paul Watson exploited his subjects exposed their life, yes, but exploited I feel is perhaps a little harsh. All the footage that was quite hard to watch did, however, make the film much more real for me. I think the fact that this documentary is so hard to watch gives light to the reality that alcoholism is incredibly hard to live with, and by being so thorough the film shortens the gap between subject and audience. For one the subjects were extremely vulnerable which raises the question on whether they were in the right state of mind to consent to being filmed and telling their story. https://www.youtube.com/watch?v=jjy8Z1hK2wY fromSchindlers List, Set to music, shot in thegorgeous shadows of black and white, and perfect balanced frames. In order to inform and have an impact on the audience, enough to make them think before undergoing any dangerous activity illustrated in the documentary, the use of empathy is crucial. 0 . I felt this was putting unnecessary emphasis on the ethical issues in the film; he presents himself as if he is guilty of exploiting his subjects before his audience are able to make up their own minds. At this weeks lecture, the first slide read Documentary is most creditable when it comes as close as possible to the experience of someone actually there. Their harsh realities shocked me, however i found it extremely easy/automatic to empathise with them due to the methods of which Watson included, and the issues raised were heavily captivating. To this statement Vanda agrees and understands the relationship between the two of them. The person who created this page shares thoughts of sympathy for Tonis family (who died during filming) and Vandas family who consequently died after filming. So I didnt think that he has exploited his subject at all as this is what we as viewers needed to see. He witnessed some horrific scenes throughout filming and only once (that I can recall) did he step in to hand Mark a sick bucket and express disappointment to Venda for her choosing to buy a bottle of vodka. However, I felt in this case it was too much exploitation of Nigel, Claire and his family, who were probably not in the right mental state of mind to decide whether the sequences of their personal, heartbreaking moments should be filmed. (LogOut/ However, you cannot debate the fact that at some points in the documentary, Watson did take it too far. After drinking heavily, people are definitely not in a normal status, which lead to a question that in what situation Paul Watson get the consent from these alcoholics. He explains himself, he is aware of what he is critised for, but overall has achieved an importantly informative film about alcohol and its effects. The documentary was quite raw as Watson did show his subjects when they were at their most vulnerable, when they had no real control of what they were doing. The game uses a beautiful and funny graphics engine to make everything look. There are many intimate moments within the documentary, such as the funeral of one of the subjects that had passed due to the abuse of alcohol. Check out our rain in my heart selection for the very best in unique or custom, handmade pieces from our shops. 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